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Senior Producer

& Video Journalist

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I'm experienced in a wide variety of video formats, from social-first verticals to mini-docs. I've presented live on TV and worked behind the scenes as a producer and planning editor. I've been on assignment all over Europe, reporting on tourism surges in Finland to the most expensive diamond auctioned in Geneva. I've also contributed to the coverage of big news events, such as Boris Johnson's resignation and the Queen's death.

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News Packages

Santa gets ready for Christmas in Lapland - Finland Lapland Santa (CR) -  4469334
02:08

Santa gets ready for Christmas in Lapland - Finland Lapland Santa (CR) - 4469334

It's beginning to look a lot like Christmas in Lapland, where Santa's office is said to be located. Elves and reindeer are preparing for their journey to every home in the world to deliver countless presents. Santa is - almost - on his way. With just over a week to go before Christmas, he's busy preparing for the big day. Lapland's capital Rovaniemi, in Finland, is said to be the official home of Santa Claus and his little helpers. It's located near the Arctic Circle, where snow covers all trees in the winter months. Visitors can meet the man in person in Santa Claus Village, a theme park dedicated to Santa. Annabelle and Alexandra, aged 5 and 9, who live in the UK, were spending a few days in Lapland ahead of Christmas. Annabelle was hoping to be on the nice list, so she asked for a puppy, just like she did last year. Rovaniemi expects to break pre-pandemic tourism records this Christmas season, with visitor numbers up by 20% compared to 2022. Most visitors to the Village are families with children. Alice, who was visiting from Dublin in Ireland, was excited to spend time in Lapland. "I also really enjoy the magic of Christmas and I love snow and things like that," she says. The theme park caters to adults too, with a bar and a restaurant featuring tables and stools carved out of ice. Gisela Gonzales, who travelled from California, US, had a mushroom soup. This trip was an emotional one for her. "I cried when I got here," Gonzales said. "It's an amazing feeling to be here, where Santa Claus is actually from," she says. According to Visit Rovaniemi, Santa Claus Village welcomes about 500,000 visitors per year, making it one of the top attractions in the region.
Ukrainian mum finds refuge but little solace in UK - UK Ukraine War Refugee (4420012)
04:25

Ukrainian mum finds refuge but little solace in UK - UK Ukraine War Refugee (4420012)

Viktoria Kovalenko chose to come to England not only because it offered her refuge from the war in Ukraine. It was also a chance for her to escape from her harrowing memories of losing her family in a shell attack. Kovalenko, 34, witnessed the death of her husband Petro and 12-year-old daughter Veronika last March when the car they were in was hit by a shell in northern Ukraine. Kovalenko survived, along with her then one-year-old baby, Varvara, but they were soon picked up by Russian soldiers and held captive in a school basement for three weeks. Almost a year on from that ordeal, Kovalenko has found a temporary new home in a quiet English village with the kindness of volunteers, who helped her cross borders and apply for a UK visa. But she hasn’t yet found a way to live with her grief and trauma. ""(I get) some obsessive thoughts, fears or just tiredness from everything I experienced," she said. Like tens of thousands of other Ukrainians who have fled to the UK, Kovalenko is slowly getting used to her new life. Her English is improving day by day. She keeps busy taking care of Varvara, now a 2-year-old who toddles everywhere with no fear and loves British chocolate. She shares her refuge with her brother, his wife and their two young girls, who also escaped unharmed. But Kovalenko still wells up when she speaks about Petro and Veronika or look at their images, which she keeps in photo frames next to her bed. And every day she longs to return to Chernihiv, the city she fled when war broke out last February. On March 5, 2022, the family of four were near a Russian checkpoint near the village Yahidne when a shell exploded, killing Petro and Veronika on the spot. Kovalenko and Varvara hid in an abandoned building nearby, but the next day they were found by Russian soldiers who took them to a gym in the basement of a school in Yahidne. There the mother and child were held by Russian soldiers for 24 days, along with about 300 people including babies as young as two months old and elderly villagers who later died during captivity. "People were sick, coughing; some slept on the floor, some on a chair, and some slept standing up," Kovalenko recalled. "At night, they (people) went to the toilet in a bucket, it was difficult to breathe." When the Russians retreated from the village in early April, Kovalenko got out and later found her way to Lviv, then on to Poland, where she joined her brother and his family. It was in Poland that a volunteer reached out and offered to help find her refuge in the UK. The volunteer was working with Derek Edwards, a Briton who set up an organization called Homes for Ukraine soon after the war started to help transport dozens of Ukrainian refugees to safe housing in England. Kovalenko said she knew next to nothing about the U.K., but decided to go anyway because she thought being on the move would help her process her grief. In December, six months after Edwards first submitted her visa request, Kovalenko finally arrived in Kent. Edwards had picked up Kovalenko and her relatives from Poland, and found her a former vicar's house with the help of church officials. She took in the quiet country lanes, the village green and old brick houses, the everyday luxuries that British people take for granted. But all she could think about was returning to her apartment block in Chernihiv. By year end, the war could be over, she said hopefully. Then, she said, she could restart therapy, find a job and rebuild her life.
Cameroon boxer, 9 years after deserting Olympics (AP)
03:36

Cameroon boxer, 9 years after deserting Olympics (AP)

SHOTLIST: RESTRICTION SUMMARY: AP AND SNTV CLIENTS MAY USE ASSOCIATED PRESS - AP AND SNTV CLIENTS MAY USE Sheffield - 5 August 2021 1. Various of boxer Thomas Essomba and trainer Pearce Gudgeon getting ready for training 2. Various of Essomba and Gudgeon in ring 3. SOUNDBITE (English) Thomas Essomba, boxer who defected from Cameroon: "All my life was there. I came here for nine years (ago). I'm 33 years (old) man. All my life was in Cameroon. Even when I have (British) citizenship here, do you understand, but my grandparents, my mom, my children, all of them, they're in Cameroon. I have to miss Cameron, because it's where I was born." 4. Tilt down on sign 5. Essomba and Gudgeon talking 6. Various of Essomba training 7. SOUNDBITE (English) Thomas Essomba, boxer who defected from Cameroon: ++PART OVERLAID++ "It was very difficult to decide. But all the way I said, 'listen, my life first', I had to try to protect my life. The only thing I was scared of was going back and stop doing boxing, because boxing is all my life. They don't like challenge, because I've tried to challenge them and my life became dangerous." 8. Various of Essomba on treadmill 9. SOUNDBITE (English) Thomas Essomba, boxer who defected from Cameroon: ++PART OVERLAID++ "In the Olympic Village, you're not in prison, isn't it? You are not in prison. You have the right to walk, go anywhere you want. So, we just left. I remember we had a bus ticket, we just took the bus and then we went somewhere and then we got accommodation. I didn't know anything about the U.K. Even applying for asylum, I didn't know that I was supposed to apply for asylum." 10. Various of Essomba and Gudgeon training in ring 11. Focus pull to Union Flag 12. SOUNDBITE (English) Thomas Essomba, boxer who defected from Cameroon: ++PART OVERLAID++ "I haven't done my goal yet. My goal is to have the British title. This is my hope. I want to have it. I want to write my name in the U.K. So that's why I keep fighting. I believe that I will do it." 13. Various of Essomba punching bags 14. Low angle of Essomba and Gudgeon training in ring STORYLINE: When boxer Thomas Essomba walked out of the London Olympic Village with his suitcases in 2012, he left behind his life in Cameroon to start from scratch in a country he knew next to nothing about. Essomba, who was captain of his country's boxing team, disappeared with four other boxers during the Games nine years ago. Of the 37 athletes Cameroon sent to London, seven - including a swimmer and a female soccer player - never went home after completing their events. In the decade that followed, Essomba said he sometimes struggled to reconcile his yearning for his family in Cameroon and his dream of becoming a successful boxer in the U.K. "It was very difficult to decide," the 33-year-old told The Associated Press in an interview Wednesday at his gym in Sheffield in the north of England. The stories of young athletes who defect during the Olympics often capture the world's imagination. This week, Belarusian sprinter Krystsina Tsimanouskaya left the Tokyo Games and sought refuge in Poland, saying team officials tried to force her to fly home early after she criticized them. The 24-year-old runner said her move was not premeditated, and it's not clear what's next for her. Hundreds of athletes have sought asylum at global sporting events, especially during the Cold War, to flee authoritarian rule at home or to seek a better life in the West. At the London Olympics in 2012, several other athletes from other African teams also disappeared and reportedly sought asylum. Essomba maintained he had a good life back home and did not plan to escape before arriving in London. The reasons behind his decision weren't entirely clear: the boxer said he ran into trouble with Cameroonian government sports officials, but did not elaborate. "The only thing I was scared of was going back and stopping doing boxing, because boxing is all my life," Essomba said. "They don't like challenge, because I've tried to challenge them and my life became dangerous." Cameroon, a predominantly French-speaking nation of 26 million in Central Africa, has a high poverty rate and stark inequality between rural and urban areas. President Paul Biya has been in power since 1982, and critics accuse him of political oppression and persecuting his adversaries. Essomba said he still missed his home country, not least because "my grandparents, my mom, my children" remained there. Once out of the Olympic Village the athletes took a bus to south London, found a place to live and stayed there for weeks while a lawyer helped them with the paperwork they needed to apply for asylum with the British government. At the time, they all had six-month visas allowing them to stay in the U.K., Essomba himself spoke next to no English. "I didn't know anything about the U.K. Even applying for asylum, I didn't know that I was supposed to apply for asylum," Essomba said.
Famous London nightclub turned to pop-up jab centre (AP)
03:16

Famous London nightclub turned to pop-up jab centre (AP)

SHOTLIST: RESTRICTION SUMMARY: ASSOCIATED PRESS London - 8 August 2021 ++NIGHT SHOTS++ 1. Various of Heaven nightclub 2. Various of vaccine recipient Sarah Golding talking to vaccination staff member 3. Golding being vaccinated 4. Pan of Golding walking 5. Mid of Golding talking to staff member 6. SOUNDBITE (English) Sarah Golding, vaccine recipient: "Someone outside the station was like 'Do you want your vaccine?' and I was like, 'Sure, where?' and he was like 'Heaven (nightclub),' and I was like, 'I haven't been to a club in months, absolutely, let's go'." 7. Various exteriors of Heaven nightclub 8. Low angle shot of club entrance 9. Mid of back of t-shirt of staff member reading (English): "Get vaxxed at Heaven" 10. SOUNDBITE (English) Jeremy Joseph, owner of Heaven nightclub: "I've been trying to do this for maybe six or eight months. When we were in lockdown and when we were closed and they were choosing places to have a vaccination centre, I wrote to everybody: the NHS, the government, Westminster City Council, my MP, everybody's and said I've got an empty venue, please use it. It's a waste, you know, we're closed." 11. Various of vaccine recipient and drag queen Baga Chipz getting vaccinated 12. Close of vaccination stickers 13. Mid of Chipz 14. Close of sticker 15. SOUNDBITE (English) Baga Chipz, vaccine recipient and drag queen: "Obviously, I've heard about (vaccine) passports coming in and all that, and I work in the entertainment industry, so I wouldn't be able to work and also I just want to keep other people safe. Even though I might be healthy, you can still pass it on to older people, vulnerable people. So it's about keeping everyone safe." 16. Various of staff preparing vaccine doses 17. SOUNDBITE (English) Ricardo Bega, vaccine recipient: "For me, it's quite unusual, but it's really nice because it's a place -- I guess I have been like three or four times partying here. And when you see it like completely empty and with tables (with) like people vaccinated, it's amazing, actually." 18. Close of medical supplies 19. Mid of laptop on table 20. Wide of interior of club STORYLINE: One of London's most famous nightlife venues was turned into a pop-up vaccination centre on Sunday as the UK continued to press ahead with its COVID-19 vaccination campaign. The country's health service had prepared about 1,200 jabs, but more nurses than patients attended the make shift site at Heaven nightclub throughout most of the afternoon. Despite the low turnout, most were happy to get their first or second dose of the Pfizer vaccine while listening to pop singers like Beyoncé and Ariana Grande. "Someone outside the station was like 'Do you want the vaccine?' and I was like, 'Sure, where?' and he was like 'Heaven,' and I was like, 'I haven't been to a club in months, absolutely, let's go," said Sarah Golding who received her vaccine at the nightclub. The special vaccination event was the idea of Jeremy Joseph, owner of the club. He said he had been trying to get authorities to agree to use the nightclub as a vaccine centre for months and he was happy they had finally agreed to use the venue. Heaven nightclub is a pillar of the LGBT community in the UK and home to many drag queen shows. Baga Chipz, a former contestant on RuPaul's Drag Race UK, popped down on Sunday to receive the vaccine. "Even though I might be healthy, you can still pass it on to older people, vulnerable people. So it's about keeping everyone safe," said Baga Chipz. Amongst nurses, the priority was to make sure that no vial would go to waste. Doses of the vaccine were carefully prepared in small batches as more people came in. The special event comes amid evidence that the vaccination drive among younger adults in Britain has slowed down in recent weeks, a trend that's prompted the government to offer incentives like discounts and free pizza to persuade young people to get the shot. =========================================================== Clients are reminded: (i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com (ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service (iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their Territory.

Features

Not-so-mini anymore: Mini unveils new SUV - GERMANY MOTOR SHOW MINI - GERMANY MOTOR SHOW MINI
07:21

Not-so-mini anymore: Mini unveils new SUV - GERMANY MOTOR SHOW MINI - GERMANY MOTOR SHOW MINI

LEADIN: Mini has unveiled a new electric SUV with a round touchscreen ahead of the Munich motor show. The brand also presented a new Mini Cooper with a simplified design, keeping the essential features of its iconic look. STORYLINE: The Mini is getting yet another facelift in its 64-year history. The carmaker, owned by BMW Group, unveiled a new Mini Cooper, and a new Mini Countryman on Friday (1 September 2023), three days before the start of the Munich motor show, called IAA Mobility. Both models wheeled onto the stage are electric, but they'll soon also be available in combustion engine versions. "We are witnessing, today, our first and our biggest mini transformation ever," says Stefanie Wurst, head of Mini, BMW Group. "Mini has been creating cars that inspire pure joy for over 60 years. Hundreds of innovations and millions of cars later, we have the same passion to forever change what it means to drive." The three-door Cooper is not the first electric vehicle of the brand, but it still marks a milestone, according to James Attwood, acting magazine editor of Autocar. "I think it's a really important day in Mini's history. They have had an electric car before, but it was kind of a conversion of the existing combustion engine car. Like a lot of car brands, Mini's Future is fully electric and they're really committed to getting there quite quickly. So I think the launch of the proper electric Mini Cooper hatch is a really key moment in terms of sort of pushing the brand forward," he says. Bigger and higher, the Countryman gets its first electric version. And inside, both cars keep the essential Mini design features. "Step by step, we are reducing the amount of elements, whatever wasn't necessary we took out and what remained are iconic elements. The steering wheel, obviously, the round centre icon - centre display and the toggle bar. The toggle bar is for us the connection - we are human beings who want to have this kind of tactile experience and therefore we decided to keep those three main elements," says Oliver Haile, head of Mini design at BMW Group. One of the key new features of the new Minis is the round OLED touchscreen, which can be used to select "experience modes" to change the screen colours and the ambient lighting. "It's really interesting, it's a round OLED touchscreen and it seems what Mini have really made for is the round screen is a very key element," says Attwood. "It dates back to the 1960s, cars always had round dials. So there's a real historical feature they want to keep. In the previous Minis that have had touchscreens in, it's been a rectangular touchscreen mounted inside a kind of circular area. So there's always been this got a little bit of dead area. So what they've done this time is you've actually got a fully round OLED screen, which means that the whole thing works and goes right to the edges." Over-the-air updates of the cars' software will come as standard, a feature numerous carmakers have already introduced. Mini confirmed its range will be fully electric by 2030, and insisted on the new models' sustainable design. "We worked very hard on reducing the ecological footprint of our new Minis as much as possible while increasing the use of reclaimed material. Take the alloy wheels. They are depending on the size of the car and the size of the rims. They are made out of between 30% to 70% of secondary aluminium. And the new and super nice interior materials don't only look great, they consist of up to 92% of recycled fabric," says Stefan Fleck, head of Mini product line at BMW Group. Mini fans will notice how the design of both cars has been simplified. The plastic around the Mini Cooper's wheels is gone, the door handles are now flush and the body indicators were moved up to the wing mirrors. "You're actually beginning now to see this kind of design, particularly in electric cars, where they're really being stripped back of some of the exterior features and really simplified and design is kind of refocusing on a handful of key areas. So with the Mini, it's just focusing on those rounded headlights and a lot of the real traditional Mini features," says Attwood. In terms of range, the new Mini Cooper can be driven for up to 402 kilometres (250 miles) in its SE, higher-end version, according to the WLTP (Worldwide Harmonised Light Vehicles Test Procedure) test cycle. The Mini Countryman SE ALL4, the premium version seen on stage, has a range of up to 433 kilometres (270 miles), according to preliminary data. Batteries are compatible with fast-charging stations, allowing them to go from 10% to 80% in under 30 minutes, Mini says. In Germany, the new Mini Cooper will retail from 32,900 euros ($35,000), and the new Mini Countryman will start at 43,500 euros ($47,000). Both will go on sale in early 2024. AP video by: Tristan Werkmeister
End of the two-seat car era? Smart presents five-seater SUV - GERMANY MOTOR SHOW SMART - 4451767
05:01

End of the two-seat car era? Smart presents five-seater SUV - GERMANY MOTOR SHOW SMART - 4451767

LEADIN: Smart has presented its #3 SUV for the first time in Europe ahead of the Munich motor show. The German brand is going through a complete overhaul of its lineup, ditching the two-seater car it was known for. STORYLINE: Smart cars are no longer what they used to be. This is the #3 (pronounced 'hashtag three'), a fairly bulky five-seater car - the polar opposite of the tiny Smart car people know the brand for. That's because Smart is now a joint venture between Mercedes-Benz, which used to fully own the brand, and Geely, a Chinese automotive company. "It's a real change in philosophy," says James Attwood, acting magazine editor, Autocar. "The Smart everyone knows and remembers is that little tiny two-seater. They did experiment with other cars, but we struggled a bit. But this really is a very different company and an entirely new project. It's just kind of using that brand name and the heritage. And I think what they're trying to say is less about the size and more about just trying to figure out smart solutions and ways of doing things." The #3 was first unveiled at the Shanghai motor show in April, and is now presented in Europe for the first time ahead of the Munich motor show, called IAA Mobility. The SUV coupé is the second model released by the joint venture after #1, and is based on a Geely electric vehicle platform. Smart calls its design "sporty and exquisite" with curvy lines. It's 4.4 metres long (14 ft) and 1.8 metres large (6 ft). "Carmakers will tell you they are making more SUVs because that's what people are buying. And the sales figures will back up that's what people are buying. But on the other hand, when you walk into a car showroom and most of the cars are SUVs, it's no wonder that's what people are buying. It is a challenge and a conundrum. And a lot of car firms do talk about this kind of slight contradiction of then moving towards more sustainable cars," says Attwood. The SUV will be available in three versions - Pro+, Premium and Brabus - with ranges between 415 kilometres (260 miles) and 455 kilometres (285 miles), according to the WLTP (Worldwide Harmonized Light Vehicles Test Procedure) test cycle. "It's going to be made in China and bought over here, But it's going to be a really key segment of the SUV market to take in the likes of the Volkswagen ID4, which is a kind of big family electric car. It's the sort of machine that people really want," says Attwood. The #3 will go on sale in Germany by the end of 2023, and will hit the rest of European roads in early 2024. The brand hasn't disclosed retail prices but is expected to sell the EV from 45,000 euros ($48,600) in Germany. AP video shot by: Tristan Werkmeister
Goodbye glovebox: Fisker presents car with 35% less parts - GERMANY MOTOR SHOW FISKER - 4451827
07:38

Goodbye glovebox: Fisker presents car with 35% less parts - GERMANY MOTOR SHOW FISKER - 4451827

LEADIN: American carmaker Fisker is presenting three prototypes at the Munich car show expected to be sold on the European market in 2025. The brand's philosophy is to cut costs with up to 35% less parts, leaving the glovebox and door speakers on the side of the road. STORYLINE: Three new cars for the price of one. American carmaker Fisker is presenting its three new electric car models for the first time in Europe ahead of Munich's motor show, IAA Mobility. Fisker is a relatively unknown brand aiming to compete against Tesla. Founded in 2016, Fisker Inc. started delivering its first cars in May. In Munich, the company is presenting the rest of its lineup to the European market. From a convertible sports car, the Ronin, to an SUV called Pear and a pickup truck named Alaska, Fisker wants to satisfy all drivers' needs, and quickly. All three cars, which are still prototypes, will go on sale in 2025, says Fisker. So will the young carmaker be able to deliver on time? "Our business model is a little different. We are a little more like Apple that don't make their own products," says Henrik Fisker, CEO of Fisker Inc. "We get other people to do it or other people's contract manufacturing. So, at this point, we have a very close relationship with Magna Steyr (Austrian carmaker) and they are making our vehicles and they already make vehicles for other automakers. So they know what they're doing. They're good at ramping up products or ramping up production. We are very confident that we can get our products to market." Fisker's Alaska is probably the most conventional prototype in the lineup. It's a pickup truck that Fisker bets will be a best-seller in the US, and more specifically, in California. "What's really interesting about Fisker is it's a new American car brand that has sort of come in, but it's Henrik Fisker who's set it up, has experience in the industry," says James Attwood, acting magazine editor at Autocar. "He has previously designed for Aston Martin. I mean, he's brought lots of bold ideas and he's got some really interesting concepts about sustainability and car design." The Alaska will retail from 49,900 euros ($54,000) Second is the Pear, which will be marketed as the most accessible with a starting price of 32,900 euros ($35,500). Fisker says it focuses a lot of its attention on sustainability and aims to make the Pear with "35% fewer parts than other EVs in class". You won't find glove boxes on Fisker cars, for example, because the brand believes they're not used anymore. No surround sound system either -- only one speaker per car to reduce the amount of wires going through the body of the car. That's why the car's interior design - which isn't final - looks a lot simpler than competitors. The Pear also features a boot lid that slides under the car, Fisker calls it a "Houdini Trunk." However, the prototype shown on stage could not demonstrate this feature. "The Pear is a very small compact urban SUV for families, and that sort of thing. The Ronin is this big luxury electric, sort of GT, sort of grand tourer car. And then the Alaska, which is the pickup which will probably go down very well in America, but are also increasingly popular here. And they're really interesting segments to get into," says Attwood. The Ronin is a five-seater convertible featuring butterfly doors and a foldable carbon fibre roof. The prototype presented is the least advanced of the three, since the interior of the car isn't complete, the exterior doesn't reflect the final design, and the butterfly doors nor the convertible mechanism could be demonstrated. Fisker is aiming to ship the Ronin with an ambitious range target of 1,000 kilometres (620 miles). This sports car is intended for the luxury market with a whopping retail price of 425,500 euros ($460,000). It'll be produced in a limited series of 999 vehicles. "A new firm can come in with really good cars. But if it can't get people to look at them and try them, then it's probably not going to succeed. But I think what's happened with electric cars, with things like Tesla, which was sort of really unknown 50 years ago, people seem more willing to try new brands," says Attwood. "And if a company can come in with the right cars at the right prices featuring the right technology, then people do seem more willing to give them a go." According to the carmaker, all three models should hit European roads by 2025. AP video by: Tristan Werkmeister/Cassandra Allwood
Asian brands court European car market - GERMANY MOTOR SHOW ASIAN BRANDS - 4452169
08:11

Asian brands court European car market - GERMANY MOTOR SHOW ASIAN BRANDS - 4452169

LEADIN: Asian brands have come in large numbers to the Munich motor show -- more than twice as many as the previous edition. China is the world's biggest market for electric vehicles, boosting the growth of Chinese brands, which are hoping to gain market shares overseas as well. STORYLINE: Numerous Asian cars are making their European debut at the Munich motor show, called IAA Mobility. Chinese carmaker Dongfeng chose Germany to launch its new M6 PHEV - a move that says a lot about Asian carmakers' intentions in Europe. "China has a huge electric car market, the biggest in the world," says James Attwood, acting magazine editor, Autocar. "The technologies they're developing there, when Europe is going increasingly electric, is no wonder they kind of think there's a good market to grow into. I think what's fascinating is just that balance and that tension. They are coming over and sort of pushing the European firms. But this is - a motor show is a chance for them to come and say 'we should be taken seriously.' So you can see their cars next to the established brands." Chinese competitor BYD is also present at IAA. It's showcasing its 'Seal' and 'Seal U' vehicles, the European debuts of two of the all-electric car maker's best-selling models. The SUV version of its predecessor, Seal, the Seal U model will be available in Europe after being released some time ago in China, where it is also available in hybrid form. The firm has famously outsold Tesla in its home country - where it's the largest manufacturer of EVs. The Seal U is being launched in Europe in 2024, and BYD is marketing it as a rival to Tesla's 'Model Y' and Volkswagen's 'ID.4.' "I think BYD, out of all the Chinese firms, if one is going to succeed in Europe, it is probably BYD. They are huge in China, they started out as a battery firm, but they've fast become one of the biggest producers of 'new electric vehicles' they're called in China, so fully electric and plug-in hybrid," says Attwood. The 2023 edition of the Munich Motor Show has more than twice the number of Asian exhibitors compared to the last edition in 2021. British marque MG, now owned by SAIC Motor, a Chinese state-owned automaker, also occupies a large stand at the show. It's showing a roadster called Cyberster for the first time in Europe. It's expected to hit the roads in 2024 to mark MG's 100-year anniversary. No technical details have been released about this model yet. "We think that the IAA in Munich is a very significant auto show in Europe, globally, actually. And obviously, for us, it's very important to be present here and show what we have to offer to our consumers and specifically in times when we see the transformation of e-mobility towards electric mobility. For us, it's very important to show what we have and to show that we are a part of this transformation," says Jan Oehmicke, Vice-President of DACH region (Germany, Austria and Switzerland), MG Motor Europe. On the lower end of the price scale is the latest generation of a two-seater made by Italian-Chinese company XEV. The YOYO starts from 16,990 euros ($18,200) and has a range of up to 150 kilometres (90 miles) Its batteries can be charged as usual or swapped at partner petrol stations in Italy. The car was designed and passed safety tests in Italy. It's is made in China. "They (small cars) are really developing that market fast in China. And I think the interesting thing is there's still this push in Europe to try and find ways of lowering the cost of electric cars. And small cars are sort of way of doing that. I think it's a bit more of a challenge to bring them over with the crash safety regulations. And there's always that kind of balance: we have quadricycles, and then we have these small electric cars. There's definitely sort of potential in that market because there really aren't that much available at the moment in Europe," says Attwood. Automotive technology companies also made the trip to Munich. Deeproute.ai, for example, develops self-driving solutions for carmakers. Its vice-president Xuan Liu says the technology has evolved a lot over the last couple of years. Some cars with self-driving capabilities used to rely heavily on high-definition maps to function properly. "The lanes, the traffic signals and a lot more information, but right now, we don't use those pre-selected or pre-computed anymore. We just use our sensors," he says. Deeproute.ai sells its high-end solution with seven cameras and one lidar (Light Detection and Ranging) for approximately $2,000. The Xinjiang-based company has yet to test its technology outside of China, but it plans to begin trials in Germany in 2024. AP video shot by: Tristan Werkmeister/Cassandra Allwood
From cargo police scooters to smaller e-bike motors - GERMANY MOTOR SHOW URBAN MOBILITY - 4452797
07:15

From cargo police scooters to smaller e-bike motors - GERMANY MOTOR SHOW URBAN MOBILITY - 4452797

Motor shows have traditionally been the hotspot for petrol car fans -- but these days are long gone. At the Munich motor show, most cars are electric, and two or three-wheel electric mobility is playing a bigger part. STORYLINE: Munich's cycle paths are busier than usual in the city centre. During the motor show, called IAA Mobility, people can test ride all kinds of bikes from the companies who make them. Motor shows are evolving and now include more means of transport, such as electric bikes, cargo bikes, scooters, and pretty much anything that's not a car. And there's a name for it: urban mobility, or electromobility. "The e-bike market has grown really dramatically and is changing so fast. One of the really interesting things is just how fast the pace of technology development is," says James Attwood, acting magazine editor, Autocar. "Originally, what we saw was a lot of Chinese firms coming over with relatively simple things, lots of common motors and parts. But what's happened in recent years is that a lot more big tech firms started getting involved. And Bosch is huge in the e-bike motor world. And so you're seeing this mix of smaller firms using off-the-shelf electric parts and battery parts, but now there's a real push to think about how you can do this better and integrate them." Bosch didn't miss the opportunity to present its latest tech at IAA. On its stand is the Performance Line SX, the lightest electric bike motor the German brand has ever made, around 20% smaller than its bigger sibling CX. At 2.05 kilograms (4.5 pounds), Bosch had to make it less powerful however, with a torque of 55 Nm, as opposed to 85 Nm and 2.9 kilograms (6.4 pounds) for the CX. The motor is designed for 'sporty riders,' Bosch says, which is a good compromise in terms of size, weight and performance for gravel bikes, for example. Munich's motor show is not only in the city centre but also in a more traditional convention centre, where urban mobility exhibitors include Gaius Automotive, a Taiwan-based company which pivoted from electric cars to cargo scooters. Its Rapide 3 vehicle has a range of 180 kilometres (110 miles) and a payload of 200 kilograms (440 pounds). It retails from 11,000 euros ($11,800). "As we know, three-wheel vehicles, their rear wheels can easily flip if you turn at a higher speed or fully loaded. But with our tilting device, it helps stabilise this vehicle and also it makes the manoeuvre and turning more smooth and easily," says YenLeng Chang, marketing director, Gaius Automotive Inc. The brand says the cargo is highly customisable depending on the needs of delivery fleets. It even made a version for police forces, although a German police officer patrolling nearby said the cargo wouldn't be big enough to carry a suspect. For those who prefer pedals, Fulpra Motors makes cargo bikes with a higher payload of 350 kilograms (770 pounds). It's available in three versions, from pick-up to 3.3 cubic metres (115 cubic feet). "Cargo e-bikes is a really, really fast growing market because it just means you can put these huge loads on and you can cart around loads of stuff. And previously you would have had to do that all just using your legs. But when you've got an electric motor just offering some assistance, it really transforms the way you can design bikes and how much you can carry with them," says Attwood. Another player in the urban mobility segment is Stilride, a Swedish company making a lightweight electric motorcycle. Its body is made of a single folded sheet of stainless steel, making it 40% lighter. IAA Mobility runs until 10 September in Munich. AP video by: Tristan Werkmeister
Princess Diana's iconic 'black sheep' sweater sells for $1 million - UK DIANA SWEATER - 4453723
08:05

Princess Diana's iconic 'black sheep' sweater sells for $1 million - UK DIANA SWEATER - 4453723

LEADIN: Princess Diana's black sheep jumper has sold for $1.14m at Sotheby's in New York. It was found earlier this year, lying forgotten in a box in an attic by one of the co-founders of the clothing brand that created it. STORYLINE: Earlier this year, Joanna Osbourne made an astonishing discovery in her attic. In an unassuming wine box, she found a sweater once worn by none other than the late Princess Diana. "I just obviously hadn't looked in that box. And there it was. And I looked at the cuff and I thought 'that's the one. That is Diana's jumper, the real one,'" says Osbourne, co-founder of Warm & Wonderful knitwear, the brand that made the sweater. The red jumper, famously worn by Diana at a polo match in June 1981 was put up for auction by Sotheby's with an estimated value of between $50,000 and $80,000. Online bidding opened on August 31, on the 26th anniversary of Diana's death in a Paris car crash. In New York Thursday, the jumper exceeded its estimate, fetching $1.14m (£920,000) to an undisclosed bidder. The playfully patterned wool jumper features a single black sheep amid a pattern of white ones. It comes with letters from Buckingham Palace to the manufacturer requesting a repair or replacement after it was damaged. The rumour is that Diana accidentally ripped the edge of the sleeve on her engagement ring. Osborne and her friend Sally Muir co-founded their brand in 1979, in an attempt to make a living out of their knitting hobby. They made six initial sweater samples, and the sheep sweater was born. Warm & Wonderful isn't a high-end designer brand, but it's believed the sweater was a much-treasured item in the princess’s glamorous wardrobe. The 19-year-old Lady Diana Spencer was photographed in the garment at a polo match in 1981, soon after her engagement to Prince Charles, who was then heir to the British throne. The cover page photos shot the brand to fame within a month. On a Sunday morning of June 1981, Osbourne remembers seeing photos of Diana wearing their creation. "Amazement. Excitement. And I immediately got on the phone to Sal (Sally Muir) 'Diana's wearing our jumper.' Our parents got excited. Everybody was really excited. But it was sort of excitement that we didn't quite know where to channel it towards because it wasn't like now where you put on social media and it would be everywhere in seconds. It was kind of 'wow, this is incredible,'" she says. After this unexpected publicity, the young brand was struggling to keep up with demand. More than 50 orders came in each week. People would first ask for a catalogue and then place an order by mail, accompanied by a cheque. The sweater made headlines at the time because of its pattern: with people speculating that Diana might have been feeling like an outsider in the royal family. "I just don't believe it," says Muir. "I think it's all hindsight. I think we're all thinking back now. Many, many years later with the entire story. And I think we're thinking 'aha, that's what she was saying.' But I don't think so." When Muir and Osbourne heard that Diana's sweater might be damaged, they sent a letter to Buckingham Palace to offer to repair it or replace it. To their surprise, the palace replied and enclosed the sweater. "It seemed a bit shoddy to just repair it and send it back again. So that's why we made a whole new one," says Muir. The company made a new sweater to replace it, and every employee knitted some of it. The original was put away and forgotten until Osbourne discovered it, years later. The sheep sweater was first designed in green, and other colours, like red, were added to the collection later on. Because all sweaters were hand-knitted, it made the identification process of the sweater a lot easier. Since 2020, the sheep sweater has been made available again. American brand Rowing Blazers is licensing the original design from Warm & Wonderful and industrially makes them in Portugal. When asked why they didn't want to keep the original sweater, Muir and Osborne say it would have been too much responsibility to hold onto a piece of history. They hope it'll be part of a collection in a museum where it can be looked after and admired by many more people. "It's 45 years old or something now. You want it to last a lot longer," says Muir. AP video shot by: Tristan Werkmeister
Visceral, raw performances by Marina Abramović - UK MARINA ABRAMOVIC - 4454340
07:39

Visceral, raw performances by Marina Abramović - UK MARINA ABRAMOVIC - 4454340

LEADIN: Performance artist Marina Abramović is being honoured with a retrospective exhibition at the Royal Academy of Arts in London. The Serbian performance artist is known to push her physical and mental boundaries in the pursuit of art. STORYLINE: "The Artist is Present." In 2010, Serbian performance artist Marina Abramović made headlines by sitting eight hours a day for nearly three months at the Museum of Modern Art in New York City. Visitors were invited to sit in front of her for as long as they wanted. More than 1,500 people participated in the performance. Many were moved to tears. Video recordings of this performance are now part of an exhibition dedicated to Abramović's work. At the Royal Academy of Arts in London, where the retrospective is held, Abramović explains her vision. "The artists don't think linear, artists think in circles, artists think in eclipses. Sometimes you have some ideas when you are in the early 1960s, when you're very, very young and this same idea appears 30 years later in a completely different context with a different lens and with a different kind of knowledge, and then you address this idea and that's what we are doing here. We are missing the works, they're missing the dates they were made, and this brings the exhibition to life," she says. The artist is known to push her physical and mental boundaries. The Royal Academy of Arts exhibition displays objects used during performances as well as photos and videos of them. In "Balkan Baroque," Abramović washed a pile of bones covered in blood. The work, originally performed at the Venice Biennale in 1997, is a reflection of the artists' heritage. It won a Golden Lion award. The exhibition marks the first dedicated to a woman artist at the Royal Academy of Arts, and it's also the first performance art exhibition. "It's true, we have not really had, at the Royal Academy, done much with performance art in the past, so it is a whole new chapter also for us to do this. And of course, it's a great honour to be able to do this with Marina Abramović, who is one of the great pioneers of performance art. Now what's new about this is that, of course, Marina will not be performing those extremely demanding performances herself anymore, but is passing the baton over, as it were, to the next generation of young performance artists, who are reperforming her performances," says Axel Rüger, secretary and chief executive, Royal Academy of Arts. For Tabish Khan, art critic at The Londonist, the Royal Academy exhibition conveys the visceral power that makes Abramović so celebrated. "It's very hard to capture the viscerality and the rawness of her work. But you still manage to come through. There are elements here that make you wince, even though it's not happening in front of your eyes when you see that she's like stabbed her hand or is screaming as loud as she can, which makes you think it would've been even more powerful when you saw it in person. So they're trying to capture that sense of performance by only having limited performances in the space. But it still manages to convey the power of her work," he says. In "Rest Energy" by Abramović and former partner Ulay, the couple is using a bow to balance each other out. The Royal Academy exhibition also includes artworks visitors can get close to, like "The Portal," a gate made up of dozens of very bright lights. It symbolises a "changed state of consciousness," according to the artist. The Royal Academy exhibition also features four live performances, which neither media nor visitors can record, undertaken by other artists on behalf of Abramović. In "The House with the Ocean View," performers will stay in the room for 12 consecutive days, 24 hours a day. The original performance was undertaken without food, no talking, writing or reading was allowed. It is not known if the performers will adhere to the strict conditions of the original performance at the Royal Academy. Visitors are also invited to sit, stand and lie on a series of artworks Abramović used for her own performances. "Marina Abramović" runs at the Royal Academy of Arts from 23 September until 1 January 2024. AP video shot by: Tristan Werkmeister
Clouds and rockets: young artists spotlighted at London's Frieze - UK FRIEZE SCULPTURE - 4454780
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Clouds and rockets: young artists spotlighted at London's Frieze - UK FRIEZE SCULPTURE - 4454780

LEADIN: London's Regent's Park is now an open-air museum filled with 21 sculptures for the public to see. From a spaceship to cloud structures and cacti, this year's edition is putting the spotlight on younger and lesser-known artists. STORYLINE: Among the trees and bushes of Regent's Park in London, sculptures are now greeting visitors. The British capital's royal park has been transformed into an outdoor gallery, thanks to the return of the Frieze Sculpture, the annual sculpture exhibition which anticipates the start of the Frieze Art Fair. "We have actually acquired a big roster of younger or lesser-known artists or at the same time like mostly female sculptors who are realising their largest piece to date or the most kind of ambitious pieces or the first time experiences in showcasing their work in the public realm," says Fatoş Üstek, curator of Frieze Sculpture. The tallest installation is "The Mothership Connection" by British Trinidadian artist Zak Ové. "This is the first time ever it's been aired. The work was actually commissioned to be in Haiti, and it's an architectural spaceship, if you could say that. And each strand and each layer has a specific reference to Haiti in masks or at the top is the Mende mask of the female spirit of healing. And in the internal layers, you will see references to Masonic architecture or the kind of, let's say, the high-brow Western architecture," says Üstek. On the other side of Regent's Park's English Gardens, a sculpture draws inspiration from the cubism of Pablo Picasso and Henri Matisse. "Model for Celebration II" was made by Louise Nevelson, an American sculptor known for her monochromatic artworks. Behind it is a splash of colour: orange, yellow and red. Artist Tomás Saraceno picked these tones to represent autumn and the cycle of decomposition of leaves. Called "Silent Autumn (WISE 0359-54/M+M)," it replicates the structure of soap bubbles using metal. Visitors can wander beneath the trees and gaze at Holly Stevenson's "The Debate," made of two ceramic ducks and an egg. From the front, it appears whole, but visitors will notice it's a half-boiled egg as they walk around the structure. "The symbol of the egg has been so prominent in art history, always represented fertility or transience of life. And for her, it was literally the kind of focus, the locus of subject matter of what she wanted to focus on. And funnily enough, there are two ducks that also live in Regent's Park. So there's kind of like a conversation going on, I believe, after the closing hours," says Üstek. Frieze London is one of the most influential contemporary art fairs in the world and will open its doors on 11 October. While that is a ticketed event aimed at art collectors and investors with money to spend, the sculpture park is a different proposition. It's free and open to everyone. "That's actually what really excites me about Frieze Sculpture. You know, Frieze Sculpture is the only public-facing activity of Frieze Art Fair, and every year, it receives 800,000 to 1 million guests that are not only art enthusiasts or arts specialists but also people who locally live here or take the park as a jogging ground or take their babies for a nice autumn day they walk," says Üstek. Frieze Sculpture is open until 29 October. Frieze London and its sister art fair Frieze Masters will run 11 to 15 October. AP video shot by: Tristan Werkmeister

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Sunak: "We Do Not Believe In Self-ID"
02:03

Sunak: "We Do Not Believe In Self-ID"

Prime Minister Rishi Sunak gave an exclusive interview to PinkNews ahead of the election. “We do not believe in self-ID because we believe in biological sex,” Sunak said. Here are the 5 main takeaways from the full interview available on our website. ‌ 1. Sunak clearly voices his opposition to self-ID, saying he believes in ‘biological sex’ instead, but goes on to say that his party supports trans adults to “live their lives as they choose.” He justifies his stance by saying that there is a risk of ‘biological men’ “exploit[ing]” the rules to cause harm to women and girls”. ‌ 2. On the Cass review, which issued recommendations on the way transgender youngsters receive care, the Prime Minister calls it a “robust, evidence-based, independent piece of work”. He says he completely disagrees with an independent report which found “significant methodological and conceptual flaws” in the review. Sunak insists that “extreme caution” is needed on this matter. ‌ 3. Sunak has repeatedly pledged to change the Equality Act’s definition of ‘sex’ to ‘biological sex’ to ensure that women’s single-sex spaces are strictly restricted to people assigned female at birth, excluding trans women. The Prime Minister didn’t provide a definition of ‘biological sex’ nor explained how this new policy would include intersex people or trans people who received a gender recognition certificate. ‌ 4. On a ban of conversion ‘therapies’ or practices, Sunak gives an unclear answer, quoting the Conservative manifesto: “Attempts at so-called ‘conversion therapy’ are of course abhorrent”. He falls short of committing to ban them entirely, saying “legislation around these practices is a very complex issue.” For context, a conversion ‘therapy’ ban was promised by Theresa May’s government, Boris Johnson’s government then considered dropping it, and brought it back but said it would exclude trans people from it. A consultation on the subject ran until 2022 but the government has yet to publish its response. ‌ 5. Sunak also praised the Conservatives’ track record on LGBTQ+ policies, mentioning same-sex marriage, the rollout of PrEP, and their HIV action plan. He said “I believe Britain is one of the best places in the world to be LGBT” although the UK dropped from the 1st to the 16th place on ILGA-Europe’s annual Rainbow Map between 2015 and 2024. Head to thepinknews.co.uk for the full interview. #rishisunak #conservative #ukpolitics #generalelection #lgbtq #trans @Conservatives
Czech Court Ends Trans Sterilisation
01:56

Czech Court Ends Trans Sterilisation

Czech transgender citizens who want to change their legal gender are required to be sterilised and to undergo gender-affirming surgery under civil codes dating back to at least 2012. However, following the decision by the Czech Republic Constitution court, which found the law to be a "violation of human dignity," the requirement is to be changed in favour of a medical diagnosis. The change has been welcomed by human rights groups, activists and members of the trans community, including those who have already been forced to undergo the invasive surgery. Alexandra Tomanová, a trans woman living in Czechia, known as the Czech Republic in Britain, told PinkNews of her ordeal after she was sterilised in 2022 when she wanted to legally change her gender marker. Aged 22 at the time, she "didn't really see a reason" to undergo the procedure, but felt compelled to so she could live as herself in the central and eastern European nation. Two years on, she says: "To be perfectly honest, [I was] really scared. There [are] a lot of issues that can happen to you. A lot of people are... talking about the fact that this was my choice and yes, I picked it, but it wasn't really a choice for me because it was either that or not living." Tomanová said the decision to repeal the law is "extremely helpful" for the trans community. "It felt, very, very warm in my heart," she says. "All these people will have another option and it will be much simpler [for] them. I'm angry that it took so long." Trans advocacy network Transgender Europe notes that Latvia, Romania, Cyprus and Slovakia now remain the only EU member states where sterilisation to allow a change in gender markers is commonplace. The process of surgical sterilisation is complex and involves a hysterectomy for transgender men, and the removal of testes of trans women. Complications and infections, including blood clots, inflammation and haemorrhages, are common following the procedure. Alexandra Tomanová was bed-ridden for two months following the surgery. Tomanová was bed-ridden for two months due to an infection. "It was the biggest pain I [have] experienced in my entire life. It was insane to be perfectly honest and I can only be thankful to my family for taking care of me," she says. "I was glad if I could go to p*e, if I could go to the toilet. I was happy if I could [brush my] teeth. Basic human stuff." While she agrees that no one should have to face forced sterilisation merely for a gender marker on legal documents, she doesn't regret undergoing the surgery. "I have a simple life philosophy: I do not take things back. Everything made me come to this point for a reason," she explains. The Constitutional Court has given the government until 2025 to change the law following the 13-2 legal ruling. #czechrepublic #transgender #lgbtq #trans #sterilisation #czech https://www.tiktok.com/@pinknews/video/7369164017941613856
Why Queer Women Die Earlier Than Heterosexuals
01:59

Why Queer Women Die Earlier Than Heterosexuals

Queer women more likely to die earlier than hetero women, and not just due to mental health reasons A new study has revealed that lesbian, gay and bisexual (LGB) women are more likely to die earlier than straight women. It was always largely understood that LGBTQ+ people are more likely to experience mental health or substance abuse issues, which could contribute to premature death. But a study into how chronic illness affects these groups has never been looked into, until now. Lesbian and bisexual women are more likely to die up to 37% earlier than heterosexual women according to the Nurses Health Study II, which examined the risk factors of chronic illnesses, as well as tobacco and alcohol use, and mental health, in women. The worrying statistics looked into women’s medical records as far back as 1989, and showed “participants identifying as lesbian or bisexual had markedly earlier mortality during the study period compared with heterosexual women”, according to the study, which was published in the Journal of the American Medical Association. Lesbian women were found to die 20% sooner, and bisexual women 37% sooner than their heterosexual counterparts due to “systemic and highly reproducible health disparities for LGB people, particularly LGB women”. The study’s lead author, Sarah McKetta told NBC News: “We’ve seen disparities in tobacco use and alcohol use, in mental health, in chronic disease. Basically, pretty much any outcome that we’ve looked at across multiple surveys, we see that lesbian, gay and bisexual women are at higher risk. “We also know it’s due to levels of discrimination, ranging from structural to individual,” McKetta told the outlet. In fact, 2024 report from The American Cancer Society found that homophobia or transphobia can indirectly increase the chances of queer people developing cancer. Bisexual women have a higher risk of premature death due to “dual pressures given their identity, and they experience discrimination from both inside and outside of queer spaces,” according to McKetta. “One of the things that I was worried about with this study is that the takeaway would be that it kills to be gay,” McKetta admitted. “It doesn’t kill to be gay. It kills to be discriminated against. And that’s the lived experience of lesbian and gay women and bisexual women who are just trying to walk through the world.” Readers affected by the issues raised in this story are encouraged to contact Samaritans free on 116 123 (www.samaritans.org) or Mind on 0300 123 3393 (www.mind.org.uk). Readers in the US are encouraged to contact the National Suicide Prevention Line on 1-800-273-8255. #lgbtq #queer #health #mentalhealth https://www.tiktok.com/@pinknews/video/7371543674863275297
Greece legalises same-sex marriage
01:27

Articles

Beyond video scriptwriting, I also write articles. I started working in local newspapers, then pursued roles as general news reporter, feature writer, and eventually editorial assistant, overseeing the copy of 12 monthly magazines.

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Radio

While I worked at France 24 (part of the France Médias Monde group), I was also regularly presenting my fact-checking work and investigations on RFI (Radio France Internationale).

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